abendgules: (self-portrait)
The origins of the keyboard layout: hadn't considered it wasn't true til I read this - still isn't clear to me!.
abendgules: (maciejowski)

UK government is on an ambitious course to change the way British people contact and use government services.

The government digital strategy http://www.publications.cabinetoffice.gov.uk/digital/ has a strap line of

Digital services so good that people prefer to use them

The publishing strategy alone is really breathtaking.

It's the moving to digital service provision, and then to gov.uk so everything is in one place, that is really challenging; challenging to the way that people think about who provides the services that they use, and challenging to the people who work in these departments, to think of themselves not as just department civil servants but part of a greater whole.

You no longer have your little corner of the web; it's part of a single service, that is accessed the same way that you access all your services from government.

http://digital.cabinetoffice.gov.uk/category/single-government-domain/

The blog is tracking what is happening in this process

http://digital.cabinetoffice.gov.uk/category/digital-strategy/

And the design principles are the kind that make communication pros cry with joy. (Don't know if this is visible to all, but check)

https://www.gov.uk/designprinciples

The biggest change I see in the communications side, aside from moving to digital, is to deliberately and thoughtfully create a new style - one that is in plain English.

Plain English is the absolute opposite of 'government-ese' that Sir Humphrey lived and thrived on in Yes, Minister. It is the antithesis of political language as it is used by ministers. So this is a huge, huge step.

http://digital.cabinetoffice.gov.uk/2012/11/13/explaining-gov-policy-gov-uk/

As someone with a passion for writing and communicating, I think it's amazing.

But as someone who has worked with authors, I wonder if this will really happen. I don't have the same confidence in people's willingness to change as I do in the ideas of clear communication in English.

Several other changes on the project management side

- using existing tools: no longer spending squillions on consultants to redesign tools that already exist. The blogs are wordpress; the stats are googlestats; the coding is on something unfortunately called github (another in-joke gone public). https://github.com/

I think this is a consequence of past huge gov't digital projects that have crashed and burned, costing huge amounts of money - trying to digitise the NHS is an example that is still in progress.

- using 'agile' development; which IIUC means develop as you go, release what works for the moment, build on it and update. It avoids the more traditional hangups of 'sitting in a room for months in meetings' gathering requirements; it introduces other problems that require everyone to be up to date, all the time, and never assume that what was decided last week is still valid this week.

- releasing in stages - different depts are getting onto gov.uk at different times, and GDS are developing components as-needed, rather than trying to set the whole framework up perfectly from the outset (and possibly living with legacy errors indefinitely). It requires a modular approach, which is scaleable.

In a way, it's an approach that you could only make work, once people have worked in other environments, seen other systems that didn't work, and thought a lot about what they'd like to see in future. 


It relies on digital-friendly workers who know how to use e-mail and online tools, who know its weaknesses, and who are prepared to learn new tools throughout their working careers.

It couldn't have happened from the start of the Internet; I think we had to go through other approaches, and build the tools and the network and the computing speed we have now, to get this to work.

I am excited; I'd thought my job was ending, and in fact there's scope for me to really get into this approach of working, and I've loved plain English from the first time I met it at Nortel. The prospect of making it work for people rather than be a stick to beat them with is really marvellous.

abendgules: (Default)
Apparently LJ has a role in Russian online life that it does not in the West.
Where the ME is using FB and Twitter and YouTube with their smartphones, Russians like to write:
LiveJournal: Russia's unlikely internet giant
http://www.bbc.co.uk/news/magazine-17177053

I had been wondering if the coming Russian elections would result in a DDoS - LJ servers have been hit before.

According to the article, having the servers in the US means it's harder to force the company to give up user data and track down opinionated users, so it's a bonus to those using LJ to voice unpopular views.

I feel obscurely pleased to be on LJ today!
abendgules: (Confesse)
I write for a living, but I am always thankful that I don't have to write fiction.

It was a brilliant revelation to me, sometime after university, that I could have a whole career of writing, and never ever have to live in a freezing garret, trying to pen the Great Canadian Novel, and have to rub shoulders fight for publishing space with the Margarets (Atwood and Lawrence), or Robertson Davies. [insert awesome Matrix-like bullet-dodge here] Whew!

But some of my friends write fiction, and people I respect write fiction too - some of it even published. And today I stumbled across this: 25 things you should know about story structure. The lead graphic alone is worth the click. Language is emphatically NSFW, but no embarrassing pics.

One refreshing aspect of this post is to convey that even hugely creative endeavours like fiction writing have (or can have) a method to them - it's not just ideas pulled out of thin air, though to the outsider it looks that way.

When modern art looks like paint splatters, a squalid bedroom, or cracks in the floor, it's hard to see any structure to it. But more traditional? conventional? (as in, following conventions) art has structure, and the more arts I try, the more I can identify the steps taken to create the works, whether they're scribal arts, drafting, clothing, music, heraldry. I find it heartening that I too can be an artisan, even coming to the skills late and rather haphazardly.



abendgules: (abbey_cats)
 My 'tips for scribes' were used in this quarter's TI.
I just got my complimentary copy, plus a TI t-shirt to boot. 
I'm unlikely to ever publish the Great Ex-pat Novel, so I have to take my small victories where I can. 
abendgules: (Romanesque rules)
A potential second part of an article about table wares, and making your table setting authentic. Draft stage.
Longish )
abendgules: (15thc_worker)

This is a sort of newsletter article in progress...comments welcome.

Feastgear on the cheap
Dining together is a feature of many Society events. Candlelit meals allow us to relax and enjoy each other's company, and share sometimes unusual food; the lighting and company can help us blur the edges of our real world, and step into a slightly different age. 
In the Current Middle Ages, it is custom to 'BYO' - bring  your own table setting, which we generally refer to as 'feast gear'. If you're new to the Society, it might strike you as an odd custom. But bringing personal feast gear saves the volunteer event organizers the purchase or rental of plates, bowls, glasses and cutlery at each event.
So where do you find 'medieval' table settings? what exactly should you look for?
For most occasions, a plate, bowl, cup or tankard, knife and spoon per person are sufficient. If you're just getting started on your feastgear set, aim for something plain and 'un-modern' (ie. avoid plastic in modern colours) that you can pack safely and care for. 
Here are some shopping suggestions for a basic table setting, ideally without spending a wad. 

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