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abendgulesLast weekend Robert and I made our way to the Vitus-haus to enjoy an afternoon of folding canvas pavilions, restashing the medieval-camping trailer and sword work on the pell. (Ok, we don't get out much.)
So we did all these things - us, Ozbeg and Katherine, Earl Paul and Lady Anne, Isabel and Vitus, and alternately helped and held up by assorted children.
It was a beautiful afternoon, so a fine time to be out of our own house and in someone's garden and you never go hungry in this crowd. The BBQ groaned under the weight of sausages, marinated chicken parts and chicken livers (way better than I expected), and Saturday is ice-cream day for the kids.
And I had a fine intro to two-hand sword with Paul, who is quite knowledgeable in matters two-handed-sword related, particularly the distinction between German and English styles. He's got all the fancy names for positions down pat, and can explain why you move from one position to the next in a very clear way with his usual cheery enthusiasm.
I was talking over illumination and gilding with Katherine (who is starting illumination, and was trying out different mixes).
Vitus over heard me talking about what gesso is made of. 'Oh', he says, 'you should use Gesso di Bologna for the filler, like I did when I was priming this box with gesso and bone glue'.
(It stank, said Isabel, even from the garage you could smell it...)
'Sure' says I, whenever you have a load of gesso di bologna, let me know. It's very expensive and you get huge quantities, when you only need tiny amounts. (Cornelissen's smallest quantity is 1kg, when I might need a teaspoon's worth at a time.)
He stares at me, then reaches down (he's standing in the garage as we're reloading the trailer) and picks up a 5kg bag of gesso di Bologna.
Apparently when you're Vitus, you buy it on the Internet from a German source in industrial quantities. Why am I not surprised?
So now, on top of every other esoteric ingredient for gilding, I have a lifetime supply of gesso di Bologna...and so does Katherine. I helped myself to some Ziplocs and we each made off with about a cupful, earnestly hoping neither of us got stopped by the cops carrying a bag of white powder.
SO: does anyone have a recipe for gesso that uses this stuff? how is it different from plaster of Paris, or is it suspiciously similar? Anyone got any success stories?
Since Ozbeg doesn't travel w/out his iPad, I was able to point Katherine to the recipe's of Mistress Yvianne's, which are almost identical to Mistress Oriane's. Both these call for slaked plaster vs the Bologna powder; Oriane uses coffee sugar rather than honey (less control over what goes into honey), but otherwise quantities are very similar.
This isn't directly related to my 30-day challenge, but it's part of the Great Gilding Project which may yet take off again.
So we did all these things - us, Ozbeg and Katherine, Earl Paul and Lady Anne, Isabel and Vitus, and alternately helped and held up by assorted children.
It was a beautiful afternoon, so a fine time to be out of our own house and in someone's garden and you never go hungry in this crowd. The BBQ groaned under the weight of sausages, marinated chicken parts and chicken livers (way better than I expected), and Saturday is ice-cream day for the kids.
And I had a fine intro to two-hand sword with Paul, who is quite knowledgeable in matters two-handed-sword related, particularly the distinction between German and English styles. He's got all the fancy names for positions down pat, and can explain why you move from one position to the next in a very clear way with his usual cheery enthusiasm.
I was talking over illumination and gilding with Katherine (who is starting illumination, and was trying out different mixes).
Vitus over heard me talking about what gesso is made of. 'Oh', he says, 'you should use Gesso di Bologna for the filler, like I did when I was priming this box with gesso and bone glue'.
(It stank, said Isabel, even from the garage you could smell it...)
'Sure' says I, whenever you have a load of gesso di bologna, let me know. It's very expensive and you get huge quantities, when you only need tiny amounts. (Cornelissen's smallest quantity is 1kg, when I might need a teaspoon's worth at a time.)
He stares at me, then reaches down (he's standing in the garage as we're reloading the trailer) and picks up a 5kg bag of gesso di Bologna.
Apparently when you're Vitus, you buy it on the Internet from a German source in industrial quantities. Why am I not surprised?
So now, on top of every other esoteric ingredient for gilding, I have a lifetime supply of gesso di Bologna...and so does Katherine. I helped myself to some Ziplocs and we each made off with about a cupful, earnestly hoping neither of us got stopped by the cops carrying a bag of white powder.
SO: does anyone have a recipe for gesso that uses this stuff? how is it different from plaster of Paris, or is it suspiciously similar? Anyone got any success stories?
Since Ozbeg doesn't travel w/out his iPad, I was able to point Katherine to the recipe's of Mistress Yvianne's, which are almost identical to Mistress Oriane's. Both these call for slaked plaster vs the Bologna powder; Oriane uses coffee sugar rather than honey (less control over what goes into honey), but otherwise quantities are very similar.
This isn't directly related to my 30-day challenge, but it's part of the Great Gilding Project which may yet take off again.
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Date: 2013-07-05 12:04 pm (UTC)Now that intrigues me... I hope to see it in a finished or semi-finished state sometime.
On a somewhat unrelated note, I've found out that my name and arms passed (last July, not that anyone seemed to bother to tell neither Arnaut nor me) so I will start on my part of the bunting. Do you know what dimensions the shields have?
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Date: 2013-07-05 03:16 pm (UTC)Re registrations: You used to get a paper letter - you may now only get an email, or have to read the notes from LoAR that Ary posts to the Drachenwald list.
Can't remember the dimensions - 6x9"? finished dimensions.
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Date: 2013-07-05 04:34 pm (UTC)And here I thought you had this hugely impressive illumination work planned. Not that I don't think learning to gild isn't impressive, but, well... showing up to an A&S competition with a complete replica of the book of Kells (or such) was more where my mind was going.
Thanks for the bunting details. I can't promise to have them done by the next revel, but hopefully I will at least have made a start.
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Date: 2013-07-05 08:31 pm (UTC)The finished escutcheons are about 6x8" and need two sides, but they have varied a lot since we started.
I recommend using materials that are sturdy and prewashed, or at least won't run if they get damp. The bunting has travelled a lot in its time, so whatever you contribute has to stand up to regular use.
Any textile medium is welcome - sewing, applique, embroidery, paint, weaving.