abendgules (
abendgules) wrote2012-12-17 03:18 pm
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
30 day challenge, day 9 continued - just to rub it in...
What makes the gesso thing really annoying is that the non-medieval glues work a treat in comparison - first try, most of the time. This gold is laid using Cornelissen's improved gold body, on a selection of bookmarks.
Again, this is transfer gold (22.5k), the rub-off stuff. I have a book of it, whereas I have only a sheet and a half of loose leaf gold (22k), so I'm using the loose sparingly.
These critters are from the same 13th commentary on the Psalms that I used to model Katherine Percival's Pelican. They're very cheery looking monsters with very sinuous necks.
On another note- how do I get the page to lay flat? all my gilded samples are curling like crazy.

Again, this is transfer gold (22.5k), the rub-off stuff. I have a book of it, whereas I have only a sheet and a half of loose leaf gold (22k), so I'm using the loose sparingly.
These critters are from the same 13th commentary on the Psalms that I used to model Katherine Percival's Pelican. They're very cheery looking monsters with very sinuous necks.
On another note- how do I get the page to lay flat? all my gilded samples are curling like crazy.

no subject
no subject
no subject
I suspect that I've laid a lot of gold for the area of the pieces, so it's having a larger effect than it would on a whole page.