Dec. 23rd, 2012
Unfortunately, the newest gesso...still doesn't seem to want to hold gold.
First pic - loose gold, followed by attempt of transfer gold.
When I managed to lift gesso with the transfer page...I gave it a rest.

This is the bit where I was lifting gesso. Sigh.

...and I managed to lift the loose gold I'd laid, cause it stuck to the transfer page.

...so I let it rest today.
I think I still have to work out the best ways to handle loose gold. It's pretty maddening stuff.
Looked on YouTube for guidance, wanting to see how other people handle the gold itself.
It appears that on YouTube, 'gilding' to some people is applied to 1/12th miniatures; picture frames; icons; and motorcycles. Cause no motorcycle is complete without a gilded gastank. Who knew?
If anyone has some favourite links, I'd be glad of them.
ETA: forgot to mention - I did find a good example of burnishing and polishing the gesso before gilding. The person's gesso was clearly far harder than mine, to take a polish like that. He was using transfer gold, and got a far better shine on it than I thought possible.
So that was a good help - gesso has to be dry enough to polish. He also tended to use just one hard 'darth vader' breath to get enough warmth/humidity for the gesso.
First pic - loose gold, followed by attempt of transfer gold.
When I managed to lift gesso with the transfer page...I gave it a rest.

This is the bit where I was lifting gesso. Sigh.

...and I managed to lift the loose gold I'd laid, cause it stuck to the transfer page.

...so I let it rest today.
I think I still have to work out the best ways to handle loose gold. It's pretty maddening stuff.
Looked on YouTube for guidance, wanting to see how other people handle the gold itself.
It appears that on YouTube, 'gilding' to some people is applied to 1/12th miniatures; picture frames; icons; and motorcycles. Cause no motorcycle is complete without a gilded gastank. Who knew?
If anyone has some favourite links, I'd be glad of them.
ETA: forgot to mention - I did find a good example of burnishing and polishing the gesso before gilding. The person's gesso was clearly far harder than mine, to take a polish like that. He was using transfer gold, and got a far better shine on it than I thought possible.
So that was a good help - gesso has to be dry enough to polish. He also tended to use just one hard 'darth vader' breath to get enough warmth/humidity for the gesso.